SHOP

Flossin - Serpents EP Cover Art
Feb 2009
<a href="http://shop.overlap.org/album/flossin-serpents-ep">Crystal Cobra by Overlap.org</a>
Miroque - Live at Sound Arts EP Cover Art
Jul 2009
<a href="http://shop.overlap.org/album/miroque-live-at-sound-arts-ep">Mizuumi No Soba (Live) by Overlap.org</a>
“You Fucked a Girl”, “I Kissed a girl” cover
31 Jul 2008, 11:11pm -0700 by fivestar

Though I was out to myself long before, I didn’t experience my first girl kiss until I left my traditional Mexican Catholic hometown of McAllen, Tx. Leaving home for the first time, I didn’t exactly escape conservatism, just traded it in for something a little more Country and a little more racist. I somehow found myself at an “elite Southern institution” where the Greek system affected the academic schedule.

Never mind her name. She was an outgoing, quirky, theater type who lived a few doors down from me on the 4th floor of Renke Hall. I don’t remember how we became friends but we would hang out in the dorms together and catch the occasional dining hall Sunday brunch. There seemed to be some kind of mutual curiosity between us which eventually lead to a hot make-out session in her room.

The kiss lasted though a good portion of her play list, including ‘California Dreaming’ when we paused for a moment. She made me promise not to tell anyone about our liaison right before explaining that the only reason she was making out with me was because she didn’t have a man.

Ouch!

I’ve learned from more than that occasion that desire does not define identity and identity has the power to stifle desire. I can’t identify with the perspective of Katy Perry’s “I Kissed a Girl”, in fact it really annoyed me (It doesn’t help that she sings another song that begins with “I hope you hang yourself with your H&M scarf while jacking off listening to Mozart”.)

I’ve experienced sexual encounters with women that make me feel like their “experimental game”, right before they stop the situation to pick up the cell phone call from their boyfriends.

Ouch!

I havn’t quite done it yet, but some queer women can totally fetishize sleeping with self-identified straight girls and try and win as many toaster ovens as possible. I came up with my own version of Perry’s song in order to reclaim and come to peace with my first girl kiss and some of my frustrations with identity, the patriarchy and internalized homophobia.

Disclaimer: In the case I might be read as a labrys-waving-biphobic-dyke, I love women and I love to sleep with people who own and celebrate their sexuality, whatever their sexual identity.

This is the first time I’ve uploaded a video of me singing and playing the guitar online. Hopefully I’ll do more!

Originally from “You Fucked a Girl”, “I Kissed a girl” cover

Owltree - Daylight is Not for Owls
, 10:01am -0700 by biotic

Some sounds for New Zealand for your pleasure. This release comes via the netlabel, Lo-Kiwi. I found it on the hiddenplace music blog.

The release is called Tender Pecking.

Many songs about owls. I like owls.

There are some excellent tunes on the release. I’m looking forward to spending more time with Owltree and Lo-Kiwi.

Owltree - Daylight is Not for Owls

Originally from Owltree - Daylight is Not for Owls

More on the Jon Phillips 4.0 Launch
, 2:29am -0700 by rejon

I just announced over on the CC site my job change. I will still be on the books with Creative Commons, but will not be a full time staff member any longer. While I have been a human interface for Creative Commons to people, businesses and organizations, particularly in the technology space, my role will change to be Business Development and Community Liaison.

I have been working for Creative Commons for the past 3 years. In that time, I’ve fully devoted myself because I wanted to “scratch an itch,” as its called in open source development circles. Over the last few months I have felt that I sufficiently scratched the itch. Through my contributions to Inkscape and Open Clip Art Library I met the best boss and coolest person in the world, Mike Linksvayer. I wanted to make CC easier for the free and open source world by creating a library to make CC licensing easy: Now we have liblicense and LicenseChooser.js. I wanted to see the expansion of an international public domain dedication that worked globally, as Open Clip Art Library wanted: Now we have CC Zero Waiver and soon a Universal Public Domain dedication.

Of course, along the way, there have been other projects which I’m massively happy I contributed to, such as brewing the ingredients for CC Salons, working on media sharing web engine ccHost, and then efforts to provide simple solutions to help people, businesses and organizations to use CC licensing: Case Studies, http://creativecommons.org/projects/metrics”>Metrics and Documentation project.

After August 2nd, the world will continue to be in great hands with new and ongoing staff members that are supporting the efforts of Creative Commons around the clock. The international community of CC Jurisdiction Projects has an amazing line-up of individuals globally that are handling relationships amazingly. And, I’m still on the books to keep facilitating when possible.

If you are curious what I am immediately working on, then you kind readers of my blog might realize that I’ve been spending a lot of time on the upcoming art exhibition, Cantocore, an international contemporary art project between San Francisco and Guangzhou, China August 30 - September 6th near the Guangzhou Triennial. I am also planning a large art show in San Francisco for Overlap, which is Overlapping Networks of Experimental Media and Culture with Free Tools, Releases, News and Events” at the Gray Area Gallery starting Sept 13, 2008 through Sept 27, 2008. There is much work associated with the above projects which will require most of my time. This includes websites, projects for the shows, wrangling of participants, producing books, and more.

Cantocore ping pong space in Guangzhou

Cantocore ping pong space in Guangzhou

Beyond these immediate plans, I am of course entertaining various consulting projects, speaking engangements, writing for various magazines, trying to finish my book CVS (maybe should be renamed SVN ;), and then set-up my own solo art show somewhere in the next year before I turn 30 next May 28! If you would like to talk about these projects, are interested in working together with me on them, and/or hiring me for various gigs, contact me!

Cantocore Container

Cantocore Container

Lu and I will be primarily living in Guangzhou this August, then I will be in Beijing this fall. Of course, I’m traveling much around the globe. I’m particularly interested in working with more projects and companies in China and Asia.

Regardless, I’m more than ever committed to Creative Commons as an idea and set of practical tools. I am super committed as well to building up the projects I’ve been working on for some time with new vigor and knowledge gained from experience over the last few years in working with people, companies, and organizations.

Here is more as well from the post on the CC site:

//creativecommons.org/license/by-sa/3.0by-sa/a Freddy B. Used with permission from Photographer.
Photo by-sa Freddy B. Used with permission from Photographer.

I’m in Sapporo for the CC Legal Day, Commons Research Mini-conference which the Metrics Project is but part, and to
further promote the CC Case Studies project. As Greg outlined so clearly last week and I presented at the launch of CC Singapore a few days ago,
this project is doing quite well with 112 submissions from around the world assisted by
a great system for supporting this community project, and even better brilliant people adding case studies daily!

Also, you kind readers might have noticed that we have launched and/or refreshed several projects over the last few weeks to prepare for a coming change. As of August, my role with Creative Commons will change from managing community and business development to being liaison in ongoing similar affairs. This also means that I will be spending most of my time on projects outside of Creative Commons — most still involve using Creative Commons licensing and technology.

I’m not leaving the culture of free and open, nor Creative Commons, both of which I have been involved with for some time. Rather, I will be, as of August 2nd, devoting most of my energy to projects I’ve been delaying or couldn’t do as effectively since I have been living and breathing Creative Commons. My job and peers at Creative Commons are amazing and working for CC, in my capacity at least which I can speak to, is a dream job. If anything, I will be pushing Creative Commons even more by action, projects, and facilitation in another capacity.

Thus, if you want to find out more about what I will be doing, you know where to find me. And, if I’ve been working with you, your business, your community, and/or organization, jon@creativecommons.org still works (and will so). I am continuing work on a couple of projects that have not launched in relationship to Open Library/PDWiki project. I also am on-demand still for speaking at events and conferences globally - particularly in Asia since I will be spending most time in China from August - December 2008. I’m still on the books and will facilitate any discussions to the appropriate people. I’m more excited that ever to keep growing the commons!

Originally from More on the Jon Phillips 4.0 Launch

Overlap Salon 02 - Max/MSP/Jitter - July 30, 2008 - Sound Arts
30 Jul 2008, 11:01am -0700 by Willits

Overlap.org and Sound Arts Host : Overlap Salon 02 - Max/MSP/Jitter

Wednesday night July 30th, 2008 from 7-9 pm @ Sound Arts Recording Studio 520 Hampshire street, suite #206 SF, CA 94110

Overlap Salon 02 event brings together users of Cycling 74′s legendary “build-it-yourself” software universe Max/MSP/Jitter, and it will focus on interfaces that can be used in tandem with Max/MSP/Jitter. We will meet, exchange knowledge, advice, and software patches. Max/MSP/Jitter patches covered in the Salon will also be shared on Overlap.org following the event. All participants are required to bring your their own laptop, beer (if u want) and thinking cap. WIFI provided.

This event is free but donations are *greatly* appreciated to keep this series running !!


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Force-Cast: interview with Matthew Wood
, 5:10am -0700 by overlap
Matthew Wood talks about creating the world of sound for Star Wars, his friend Ben Burtt , WALL-E and the upcoming Clone Wars feature film and series.

Supervising sound editor Matthew Wood, aka General Grievous (voice) and Dave Filoni (The Clone Wars), director.

[listen here - via theforce.net]

Originally from Force-Cast: interview with Matthew Wood

CCPlus, Business, Case Studies and ccTools at Open Business Track Sapporo
29 Jul 2008, 10:34pm -0700 by rejon

And in Scribd

I wrote about this CC+ confusion yesterday and now I have made good to update the ideas behind this so that others may help spread the ideas. Note, I added a graphic to explain how CC licenses and other agreements sit on top of copyright.

Originally from CCPlus, Business, Case Studies and ccTools at Open Business Track Sapporo